景观雕塑浮雕的方式语言
The way language of landscape sculpture relief
景观雕塑浮雕艺术在当代城市建设和乡镇城市化进程中，应用得越来越多，越来越广泛。作为社会和大众所乐于承受的艺术方式，现在浮雕艺术作品在创造中还存在着一些问题，还存在着一些知道上的偏颇。长远来看，要想从根本上这些问题，我觉得仍是应该从教育下手，从学生下手。以下结合自己在教育和实践中遇到的问题，展开对浮雕艺术教育的课题研讨。
Landscape sculpture relief art in China's contemporary urban construction and township urbanization process, more and more widely used. As an art form that the society and the public are willing to accept, there are still some problems in the creation of relief art works, and there are still some biases in the knowledge. In the long run, if we want to solve these problems fundamentally, I think we should start with education and students. Following the combination of their own education and practice in the problems encountered, launched the relief art education subject discussion.
浮雕作为雕塑艺术中的一种造型语言和方式，有它特有的刻画办法，它是在有限的刻画空间里对天然物象进行体积上的合理紧缩，并经过透视和幻觉等办法向人们展现较笼统的空间作用。
As a kind of modeling language and way in sculpture art, relief has its unique way of portraying. It is reasonable to tighten the volume of natural objects in the limited portrayal space, and through perspective and illusion to show people a more general role in space.
因为浮雕是在第三度空间上经过了紧缩，立体的形象被压扁，形体上也见薄，所以又往往简单被人过错地以为浮雕就是“圆雕的一半”。不少本的学生开始也以为：浮雕头像写生就是刻画模特那所能看到的半边头形。因而，所做的形象好似半面圆雕头像贴在泥板上，不只厚度上越做越高，立体感空间感也不强。究其原因，仍是没有真实地了解和知道浮雕，以及浮雕的正确紧缩。那么，浮雕和“圆雕的一半”有什么区别，怎样才算真实的了解和知道浮雕.
Because the relief is in the third degree of space after the compaction, three-dimensional image is flattened, the body is also thin, so it is often simply wrong to think that relief is "half of the round carving." Many students of this major began to think that: relief sketch is to portray the model that can see the half of the head. As a result, the image made is like a half-face sculpture head on the mud board, not only the thickness of the higher, the three-dimensional sense of space is not strong. The reason is that there is no real understanding and knowledge of relief and the correct contraction of relief. Then, what is the difference between relief and "half of the circular carving"? How can we really know and know the relief?
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