景观雕塑设计潜在的功用性
Potential Function of Landscape Sculpture Design
景观雕塑的设计具无情感染，是把人的情感需求作爲设计思索的中心和动身点，可以较好的表现城市的文明水平和文明质量，塑造良好的场所气氛，营建高质量的城市环境。
The design of landscape sculpture has no emotional influence. It regards people's emotional needs as the center of design thinking and starting point. It can better show the civilized level and quality of the city, create a good place atmosphere, and build a high-quality urban environment.
城市规划的衰亡与园林艺术的复苏，爲景观雕塑提供了宽广的开展空间。从艺术沙龙中走出来的雕塑艺术，成爲城市公共空间的新焦点。随着开展，景观雕塑也成爲室外环境艺术表现的中心内容，成爲营建公共场所的主体。景观雕塑具无为人们提供辨认、装饰、衬托环境氛围、增强兴趣性等作用，的景观雕塑作品可以提升环境意境，突出文明特征、人文肉体、艺术面貌，增强环境与人的互动性。同时景观雕塑在新的时代背景下所具有的公共艺术属性，使其成爲艺术家与群众停止情感交流的载体。随着时代的开展，人们关于情感的诉求不时扩展，物质上的丰厚使得人们愈加注重自我的情感需求，景观雕塑的情感染设计显得更爲重要。
The decline of urban planning and the revival of landscape art provide a broad space for landscape sculpture. The sculpture art coming out of art salon has become a new focus of urban public space. With the development, landscape sculpture has become the central content of outdoor environmental art performance and the main body of building public places. Landscape sculpture has no function of identifying, decorating, setting off the environment atmosphere and enhancing people's interest. Excellent landscape sculpture works can enhance the environment artistic conception, highlight the characteristics of civilization, human body and artistic features, and enhance the interaction between environment and people. At the same time, the public artistic attributes of landscape sculpture in the context of the new era make it a carrier for artists and the masses to stop emotional exchanges. With the development of the times, people's emotional appeal expands from time to time. Material richness makes people pay more attention to their emotional needs. The emotional infection design of landscape sculpture becomes more important.
景观雕塑作品的平面形状，次要依托点、线、面、资料、结构、体积的等要从来表现，视觉和触觉对其平面形状停止感知。很多景观雕塑作品在方式上引入了静态趋向，甚是雕塑本身具有可运动性。方向感、运动感、速度感是一个作品静态的表达要点。具象造型通常经过模仿人或植物的举措，夸大其运动趋向，添加作品的表达力，使观众感遭到作品的运动趋向。
The plane shape of landscape sculpture works depends mainly on points, lines, planes, materials, structures, volumes and so on. Visual and tactile perception of its plane shape ceases. Many landscape sculptures introduce a static trend in the way, and even the sculpture itself is movable. The sense of direction, movement and speed are the static expression points of a work. Representational modelling usually imitates human or plant action, exaggerates its movement trend, adds the expressive power of the works, and makes the audience feel the movement trend of the works.
其实一切的景观雕塑都具有潜在的功用性，如标识、文娱、装饰。以兽性化设计的角度对待景观雕塑，表现了物与人之间的功用联络。而具有突出运用功用性的景观雕塑可以使人们对它发生更大的兴味。如景观雕塑在具有奇特造型的同时，也是遮雨亭、渣滓桶、或许是文娱设备。一个具有运用功用的景观雕塑作品，除了思索它能否具有了必需的功用外，好不好用就成爲了它能否真正完成功用的决议要素。在具有坐凳功用的景观雕塑在尺度上是契合人体工程学原理的，才干使人们在运用进程中感到舒适。具有文娱功用或参与性的雕塑异样如此。景观雕塑作品由不同材质所发生的物理觉得和多媒体景观雕塑给人们的物理觉得完全不同，前者疯真是亲切，后者较梦境和科技。
In fact, all landscape sculptures have potential functions, such as logo, entertainment, decoration. Treating landscape sculpture from the angle of animal design shows the functional contact between objects and people. Landscape sculpture with outstanding function can make people more interested in it. For example, landscape sculpture is not only a unique shape, but also a rain shelter, dregs barrel, perhaps recreational equipment. A landscape sculpture with application function, in addition to thinking about whether it has the necessary function, whether it is good or not becomes the decisive factor of whether it can really complete its function. Landscape sculpture with bench function fits the principle of ergonomics in scale and makes people feel comfortable in the process of application. This is the case with sculptures of entertainment or participation. Landscape sculpture works from different materials have different physical feelings from multimedia landscape sculpture. The former is really crazy and friendly, while the latter is more dreamlike and technological.
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