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现在雕塑创作中的自然设计新概念!

发布日期: 2019-10-17 来源:http://www.mmyljg.com 点击: 发布人:admin

  现代雕塑分为不同的类别,色彩丰富,但也有一些雕塑杰作缺乏艺术想象力,缺乏文化本性,缺乏人文关怀,而且这些症状仍必须与雕塑艺术的发展和传播密切相关。 这种现象在现代雕塑创作中提出了一种自然设计的新概念,将个人创作与实践融为一体,并深入探讨了一些详细而可行的创作方式。

  Modern sculpture can be divided into different categories with rich colors. However, some of the masterpieces lack artistic imagination, cultural nature and humanistic care. Moreover, these symptoms must be closely related to the development and dissemination of sculpture art. This phenomenon puts forward a new concept of natural design in modern sculpture creation, integrates personal creation and practice, and probes into some detailed and feasible creation methods.
  雕塑是人类早的艺术模型之一。 它凝聚了人们对生活的理解和期望。 石城庄给予雕刻家的义务也很大。 在创作雕塑时,我们不仅要承担雕塑的名称,还要承担雕塑本身的视觉冲击。
  Sculpture is one of the earliest art models of human beings. It embodies people's understanding and expectation of life. Shichengzhuang also has great obligations to sculptors. In the creation of sculpture, we should not only bear the name of sculpture, but also bear the visual impact of sculpture itself.
  在过去的5,000年中,大多数经典作品应运而生,不断地唤起人们的视野并传达一段时间的文化特色。 有一些奇妙的作品,精湛的雕塑和地域特色可以用来培养情感的杰作,例如哈尔滨中央大街的城市雕塑,北京天安门广场上的人民英雄纪念碑,广州的“五羊”, 还有四川的长征纪念碑。  “等待。
  In the past 5000 years, most classic works have emerged, constantly arousing people's vision and conveying cultural characteristics for a period of time. There are some wonderful works, exquisite sculptures and regional features that can be used to cultivate feelings. For example, the city sculptures of Harbin Central Street, the monument to the people's Heroes on Tian'anmen Square in Beijing, the "Wuyang" in Guangzhou, and the monument to the long march in Sichuan. "Wait.
山东景观雕塑
  现代雕塑杰作的缺点,现在我们认真研究一下周围创造的雕塑,我们会发现真正的杰作并没有太多,但是太少了,这给我们带来了很多必须严重解决的问题 面对。 正如罗丹所说:“所谓的才能无处不在,没有性,脾气就是脊髓。” 这种脾气可以说,自然是我们目前的雕塑家所缺乏的,而基本的锻造则很受重视。 练习时,注意客观对象的再现,而忽略了主观表现的模式,雕塑家的特征明显在增加,但自然尤其令人着迷。
  The shortcomings of modern sculpture masterpieces, now we carefully study the sculptures created around us, we will find that there are not too many real masterpieces, but too few, which brings us a lot of problems that must be solved seriously. As Rodin said: "the so-called ability is everywhere, no sex, temper is the spinal cord." This kind of temper can be said that nature is what our current sculptors lack, and the basic forging is very valued. In practice, we pay attention to the reappearance of the objective objects, but ignore the mode of subjective expression. The characteristics of sculptors are obviously increasing, but nature is particularly fascinating.

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