石雕工艺
Stone carving technology
石雕艺术历史悠久，记载了人类社会的生长与提高，并成爲历史文明传承的重要物质载体之一。在当今社会，石雕自然材质的共同性，因材施艺，因色取巧，圆雕，镂雕，高浅浮雕，线雕交替，石雕表现方式丰厚多彩！
Stone carving art has a long history, recording the growth and improvement of human society, and has become one of the important material carriers of the inheritance of historical civilization. In today's society, the common nature of natural stone carving materials, according to their aptitude, skillful because of color, round carving, carving, relief, line carving alternation, stone carving manifestations rich and colorful!
石雕材质种类单一，从自然矿物质构成可分爲堆积岩，火山岩和蜕变岩三大类，而石雕常用的次要是花岗岩，大理石，砂岩和各种黑色石料等。
The stone carving materials are of single type. From the composition of natural minerals, it can be divided into three categories: accumulative rock, volcanic rock and metamorphic rock. The most commonly used stone carving materials are granite, marble, sandstone and various black stones.
石雕资料选择次要根据所表现的方式和内容，针对所表现的规格，尺寸，外形选择质地平均，色泽，纹理，晶体构造分歧的石材。
The material of stone carving should be chosen according to the way and content of the carving, and according to the specifications, dimensions and shapes of the carving, the materials with uniform texture, color, texture and crystal structure should be chosen.
石雕工艺流程次要依据选择—开料—上稿—雕琢—细部描写—修饰打磨等次要环节有序停止
The secondary process of stone carving is orderly stopped according to the following secondary links: selection - material - Submission - carving - detail description - decoration and polishing.
不论什麼艺术，都离不开外乡文明的支撑。目前许多城市雕塑之所以不被认可，关键是短少传统文明和外乡地域文明的浸润，雕塑里“元素”的东西太少。什麼是城市雕塑？我的了解是，城市雕塑是一座钢筋水泥锻造的城市与市民间接的心灵碰撞和情感受摸的载体。一件的城市雕塑作品应具有历史性、人文性、地域性、时代性、启迪性、意味性、留念性、交流性等诸多文明外延。假如这个雕塑是冰冷的、生疏的，与时代和历史脱节，那麼这个雕塑就走不进市民的心，也无法承载一座城市的文明和抽象。
No matter what art, it can not be separated from the support of foreign civilization. At present, the key reason why many city sculptures are not recognized is that there is little infiltration of Chinese traditional civilization and foreign regional civilization, and there are too few "Chinese elements" in the sculpture. What is city sculpture? My understanding is that urban sculpture is the most indirect carrier of mental collision and emotional feeling between a city forged with steel and cement and its citizens. An excellent urban sculpture should have many civilized denotations, such as historicity, humanism, regionalism, epoch, enlightenment, significance, remembrance, communication and so on. If this sculpture is cold and unfamiliar, and is out of touch with the times and history, it will not enter the hearts of citizens, nor can it carry the civilization and abstraction of a city.
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