山东绵邈园林景观雕塑谈景观雕塑的作用及意义
Landscape Sculpture in Mianmiao Landscape of Shandong Province on the Role and Significance of Landscape Sculpture
雕塑的价值就在于她的视觉的愉悦性、内容的深入性，以及随之而来的体验的丰厚性与继续性。艺术发生于言语的完毕之处，在这一点上雕塑是极端明显的，没有出色的情感就不能够有出色的作品，这种情感绝非普通意义上的喜怒哀乐，而是一定具有对宇宙万象的潜在哲学情怀的表达，雕塑和一切其它艺术一样，作品的真正价值来自于文明意义上的停顿，没有对事物的质的了解，就不能够发生具有文明推进意义的作品。
The value of sculpture lies in the pleasure of her vision, the depth of her content, and the richness and continuity of her subsequent experience. Art occurs at the end of speech. Sculpture is extremely obvious in this respect. Without excellent emotions, there can be no excellent works. This kind of emotion is by no means a general sense of joy, anger and sorrow, but must have a potential Philosophical Expression of universal phenomena. Sculpture, like all other arts, works of art. The real value comes from the standstill in the sense of civilization. Without the understanding of the quality of things, no works with the significance of promoting civilization can occur.
没有对文明的推进，作品就不具有艺术上的真正开展。因而作品的好与坏重在情感的表现，意象造型是手腕就必定要听从于作品的情感和主题。不是一切的雕塑作品都需求意象造型，它不是作品走向成功的钥匙，要依据作品的内容而定。运用妥当会如虎添翼，反之则适得其反。东拼西凑的作品让看上去就觉得眼生，很像那种自来熟的人，面目没什麼特点但很有“亲和力”。这些作品的作者把一切的环境要素、创作思绪都归结爲程式化，咀嚼别人的已有思绪并面目一新，招致自我创作意义的弱化乃消逝。
Without the promotion of civilization, the works will not have the real development of art. Therefore, the good and bad of the works lay in the expression of emotion, and the image modelling is the wrist, which must be subject to the feelings and themes of the works. Not all sculpture works need image modelling, it is not the universal key to the success of the work, depending on the content of the work. Proper use will add wings to the tiger, and vice versa. The piecemeal works make it look like a familiar person with little features but "affinity". The authors of these works attribute all the environmental elements and creative thoughts to stylization, chewing others'existing thoughts and keeping a fresh face, which leads to the weakening and even disappearance of the meaning of self-creation.
艺术创作是有感而发的，也是感性的，没有震动、没有充沛的酝酿，没有对雕塑自身规律深化的了解和探究就得到具有发明力的能够，这种探究包括感知各种间接与直接的相关事物，整理由此构成的感受，对传统的学习和剖析，构成雕塑特有言语以及表现技法。关于资料研讨和方式感的探究假如脱离了详细感受的营建，就难免舍近求远。
Art creation is sensible and perceptual, without vibration and abundant gestation, without deepening the understanding and exploration of sculpture's own laws, it can be innovative. This exploration includes perceiving various indirect and direct related things, feeling formed by the whole reason, learning and analyzing the tradition. It constitutes the unique language and expressive techniques of sculpture. If the exploration of information discussion and mode sense is separated from the construction of detailed feelings, it will inevitably be close and far-reaching.
可以得知意象造型和雕塑自身是互爲依存。它效劳于雕塑作品情感主题同时又在作品中失掉表现。它可以使作品的肉体外延发扬到极并满足于人们的审美需求，使作者易于表达观者易于承受。毕加索曾说过艺术没有过来和将来，这个论点是就艺术的本质内核而论的。所以艺术也只存在浅薄与深邃，而不存在与落后，一切的感知的累积与整理及方式运用都在逐渐构成我们的完善心灵，而这个“心灵”在每个集体中独立存在，集体之间虽然存在差别，却在不时接近一些东西，那就是本真或许说真理，不同时代在不同水平上的我们自然奥秘力气体验和思索，时代气氛培养了可以应证规律的属于这个时代的方式，这就是不同历史时期虽有各不相反的相貌，但艺术却具有顶峰和低俗的缘由。
We can know that image modelling and sculpture are interdependent. It serves the emotional theme of the sculpture works and loses expression in the works at the same time. It can make the physical extension of the works to the extreme and meet people's aesthetic needs, so that the author is easy to express and the viewer is easy to bear. Picasso once said that art has not come and will not come. This argument is based on the essence of art. Therefore, art only exists shallow and profound, but not advanced and backward. The accumulation and arrangement of all perceptions and the use of ways are gradually constituting our absolute perfect mind, and this "mind" exists independently in each collective. Although there are differences among the collectives, it is close to something from time to time. That is Truth may be said. We experience and think about the natural mysterious power of gas at different levels in different times. The atmosphere of the times has fostered a way that can corroborate the law of the times. This is why art has its peak and vulgarity in spite of its different features in different historical periods.
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